A Bing (Hua Yanjun)
A Bing, born Hua Yanjun, was a renowned Chinese folk musician and Taoist priest from Wuxi, Jiangsu. A master of the erhu and pipa, he was celebrated as the 'Little Celestial Master' in his youth. Stricken by blindness in 1928, he lived in poverty as a street performer. He absorbed folk music elements to create timeless masterpieces like 'Moon Reflected on Second Spring'. His works were recorded in 1950, preserving a precious national cultural heritage. His life of hardship was a testament to the spiritual resilience of the common people.
BaZi Chart
Birth Time Verification
Core Analysis
A Bing's Bazi chart features a Bing Fire Day Master born in the autumn Shen month. The Metal element is overwhelmingly strong, with Geng Metal (偏财) and Shen (七杀) in the month pillar, heavily draining the Fire. The Day Master sits on the Xu (戌) earth reservoir, which contains Fire but is dominated by the surrounding Metal and Water. This creates a classic Weak Fire structure, where the self is suppressed by powerful external forces of wealth (财) and authority (官杀).
The key dynamic is the Wounded Officer (伤官) in the hour pillar (Ji (己)) confronting the Official Star (正官) in the year pillar (Gui (癸)). This Wounded Officer见官 clash signifies rebellion against convention, immense artistic talent, and a life fraught with official hardship and physical affliction, which manifested as his blindness. The Water (官杀) element, representing pressure and obstacles, is pervasive, further weakening the Fire. His fate was to channel this immense pressure into profound artistic expression.
His early luck cycles of Earth (食伤) nurtured his musical skills. The Ding Si (丁巳) and Bing Chen (丙辰) luck cycles provided some Fire support, allowing his talent to flourish and gain recognition. However, the pivotal shift into the Yi Mao (乙卯) wood (正印) luck cycle in 1937 brought a contradictory influence. While Wood feeds Fire, it also combats the strong Earth in his chart, creating internal conflict. This period saw the creation of his greatest works amidst extreme personal struggle, culminating in the 1950 recordings just before his passing during the transition to the Jia Yin (甲寅) cycle.
Traits
Artistic Genius
Driven by the powerful Wounded Officer (伤官) in the hour pillar, which represents exceptional talent, creativity, and expressive power, especially in arts and music.
Resilience in Hardship
His Weak Fire Day Master constantly challenged by strong Metal (财) and Water (官杀) signifies a life of overcoming immense pressure and adversity, forging great inner strength.
Non-Conformist Spirit
The clash between Wounded Officer (伤官) and Official Star (正官) indicates a rebellious nature against established norms and authority, leading to an unconventional life path.
Emotional Depth
The pervasive Water element (七杀 and 正官) brings intense emotions, sorrow, and profound life experiences, which deeply infused his musical compositions.
Timeline
Loss of Mother in Early Childhood
At the age of four, Abing's mother passed away due to pressure from the clan. This event deprived him of his most immediate support. He was subsequently sent to Dongting Town to be raised by clan members, casting a shadow over his childhood.
Return to the Taoist Temple and Beginning of Education
At the age of eight, Hua Yanjun was taken back by his father to the Dongxu Temple in Wuxi. He began studying in a private school, formally given the scholarly name Yanjun, and addressed his father as 'Master', marking a pivotal change in his life's trajectory.
Enlightenment in Taoist Music, First Steps into the Artistic World
Around the age of eleven, under his father's guidance, Hua Yanjun began systematically learning traditional culture and musical instruments, laying the initial foundation for his future as a master of folk music.
Enlightenment in the Temple, Initial Mastery of Music
At the age of twelve, Abing formally began systematically learning traditional instruments such as the erhu, pipa, sanxian, and flute under his father's guidance in the Taoist temple. He also started participating in religious ceremonies, establishing a solid musical foundation.
The Handsome 'Little Celestial Master', First Wings in the Music World
At nineteen, Hua Yanjun, with his handsome appearance and superb skills, began to gain prominence in the Wuxi Taoist music scene. He was affectionately called 'Little Celestial Master' by the public, formally launching his career as a professional musician.
Inheriting His Father's Role as Head of Leizun Temple
After his father Hua Qinghe passed away from illness, Abing formally succeeded him as the head Taoist priest of the Leizun Temple in Wuxi, beginning to fully manage the temple's affairs and income, marking a significant shift in his life role.
The Mystery of Origins Finally Revealed, Final Words Bring Peace
On his father's deathbed, Abing learned a truth that overturned his understanding: he was not an adopted son, but his father's biological child. This long-delayed secret reshaped his perception of family and self.
Loss of Sight, Life Plunges into Darkness
Around the age of 35, due to long-term opium use and contracting syphilis from visiting brothels, Abing lost his sight in both eyes successively. From then on, he could no longer serve as a Taoist priest, and his life trajectory changed completely.
First Harmony of Strings, Marrying Dong Caidi
Abing married Dong Caidi (later research suggests the actual cohabiting partner was Dong Cuidi) from a rural area in Jiangyin, beginning an important partnership in his life.
Finding a Soulmate in the Cold Night, 'Moon Reflected in Second Spring' Pours Out the Heart
Abing met the widow Dong Cuidi in an opium den, and the two depended on each other in hardship. This profound companionship stirred his deepest emotions. During this period, he began composing and performing his immortal masterpiece, 'Moon Reflected in Second Spring'.
Making a Living in Shanghai, First Glimpse of Light and Shadow
Due to the Japanese invasion of Wuxi, Abing took refuge in Shanghai. He worked as a qin player (playing the sanxian) for the Kunqu opera troupe Xian Ni She and played a blind extra in the film 'Seventh Heaven', opening a new stage in his artistic career.
Drifting in Hardship, Artistic Path Pauses
As his original residence was reclaimed, he was forced to move to Sheng'anli, and his life fell into destitution. To make ends meet, he had to stop evening performances and once turned to street performing at Huishan.
Finally Emerging from the Depths of Addiction, the Strings Fall Silent Forever
Abing was sent to a rehabilitation center for opium addiction. After release, his health deteriorated sharply, forcing him to completely abandon his street-performing career, which he relied on for survival, marking a fundamental turning point in his life trajectory.
Immortal Legacy, Six Melodies Define an Era
In his later years, overcoming numerous difficulties and using borrowed instruments, Abing formally recorded six timeless masterpieces including 'Moon Reflected in Second Spring', leaving an immortal artistic treasure for posterity.
Rebirth of a Masterpiece: The Race Against Time to Record
Professor Yang Yinliu from the Central Conservatory of Music personally went to Wuxi, planning to use the advanced wire recorder of the time to salvage Abing's musical works. Abing practiced specifically for three days for this, leaving behind six immortal works including 'Moon Reflected in Second Spring'.
FAQ
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