Kong Shangren (孔尚任)
Kong Shangren was a Qing dynasty playwright and literary figure of the Kangxi era, a 64th-generation descendant of Confucius. He served as a Yuanwailang (assistant director level) and is best known for The Peach Blossom Fan, noted for its blend of historical rise-and-fall themes and emotional loyalty.
- Birth
- 1648-11-01 18:00 · Qufu, Shandong
- Gender
- Male
- Time Source
- AI inferred
Birth Time Verification
Core Analysis
Traits
Literary Talent
The Hurting Officer generates talent, supported by Resource, pointing to sharp intellect and dramatic skill that underpin the creation of The Peach Blossom Fan.
Sense of Loyalty
As a Wu Earth Day Master supported by Resource, he shows concern for dynastic fate and moral duty, often expressing national grief and loyalty in his works.
Official Capability
Parallel Companions combined with favorable Luck Pillars support administrative competence, though they also bring rivalry and personnel tension.
Inclination Toward Withdrawal
The coexistence of Hurting Officer and Resource encourages both expression and conflict; when career setbacks arise, he tends to retreat into writing and scholarship.
Timeline
Each year shows the event, luck pillar, annual pillar, relations, and interpretation for direct comparison.
Early Classical Education
At age seven, Kong Shangren entered the academy of the Kong, Meng, Yan, and Zeng families, receiving orthodox Confucian training that laid the foundation for his later scholarship and literary achievements.
Passed the Xiucai Examination
In 1666, Kong Shangren passed the xiucai exam, formally entering the scholar-official track and setting the stage for later literary and official development.
Examination Setback and Turn Toward Writing
After failing the provincial exam in Jinan, Kong Shangren experienced a career setback. That autumn, while traveling to Shimen Mountain, he developed thoughts of withdrawal and drafted the first version of The Peach Blossom Fan.
Entered the Imperial Academy by Contribution
After repeated examination failures, Kong Shangren sold land and entered the Imperial Academy through financial contribution, opening a new path toward recognition.
Imperial Recognition in Qufu
When the Kangxi Emperor visited Qufu to honor Confucius, Kong Shangren was selected to explain the classics and serve as guide, earning imperial praise.
Lecturing at the Imperial Academy
Kong Shangren formally began lecturing at the Imperial Academy, establishing himself as a respected teacher of the Confucian classics.
River Conservancy Assignment
Ordered to assist in Yellow River works in the Huaiyang region, Kong Shangren used the assignment to collect materials on Southern Ming history.
Return to the Capital
After completing river works, he returned to Beijing and resumed his post at the Imperial Academy, reentering the central cultural establishment.
Oversaw State Minting
Transferred to the Ministry of Revenue, Kong Shangren managed fiscal affairs and supervised coin minting at the Baoquan Bureau.
Imperial Commendation
For effective service at the mint, he received imperial commendation and the rank of Chengde Lang; his wife was also honored.
Completion of The Peach Blossom Fan
After twenty years and multiple revisions, Kong Shangren completed The Peach Blossom Fan, which quickly drew wide acclaim for its portrayal of love and dynastic collapse.
Abrupt End to Official Career
Promoted to Yuanwailang in the Ministry of Revenue, he soon faced political criticism and removal from office, ending his official career.
Retreat to Shimen Mountain
Returning to Qufu, Kong Shangren settled near Shimen Mountain and devoted himself to writing and local gazetteer compilation.
First Printing of The Peach Blossom Fan
With financial support from the poet Tong Hong, The Peach Blossom Fan was printed and circulated, securing its lasting place in literature.
Late-Life Editorial Work
Facing financial difficulty, Kong Shangren accepted an invitation to assist in compiling the Laizhou Prefecture Gazetteer, continuing his scholarly mission in later life.
FAQ
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How does the chart show suitability for teaching and writing? +
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Does BaZi suggest he was suited to later-life retreat? +
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